Scientific journal
Название журнала на английском
ISSN 2500-0802
ПИ №ФС77-61154

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STAGING INTERPRETATION AT THE MODERN MUSICAL THEATER: THE STRATEGY OF DECONSTRUCTION

Lysenko S.Y. 1
1 Khabarovsk State University of Culture and Art
At the article is researched the correlation problem of the music-theatrical opus of classical tradition and their postmodernist staging interpretation at the modern musical theater. It is actualized an inability of the traditional methodological ways to the analysis of the new dialogue forms of the authors and interpreters, the interaction the author’s idea and the modern staging interpretation. On the purpose to widening the concept-analytical apparatus of the art studies and an adaptation of the main definition of postclassical science to the analysis of the scene-musical experiment, at the article is researched the textological and communicative strategy of postmodern. It is revealed the essential changes in the rendering «interpretation» term at the modern researching practice. It is noted an important role of J. Derrida’s textological conception, who determined the deconstruction as the main strategy at work with the cultural tradition’s texts as the new model of the communication between the author, text and interpretation. On the material modern acting rendition of P.I. Chaikovsky’s opuses for the first time is researched the procedure of the decentration their sense structure in the process of posed interpretation. At the analysis of the opera «The Queen of spades» of J.Schaaf’s acting versions is received the confirmation of the theory about the removing of the semantic dominance and appearing the new versions of the semantic centration of the text in forming the complex music-posed the whole.