Bakuto S.V. 1
1 Krasnoyarsk State Academy of Music and Theatre
In this article the question of interaction between music and architecture is considered. The process of translation of the content of architectural theory in the field of music-theoretical content is implemented through the position of the interdisciplinary approach. The universalism of the creative thinking of Barocco is demonstrated on the example of the theoretical method of the architect Bernardo Antonio Vittone. This universalism is shown in the organic unity of principles of mathematics, architecture and music. The elements of these science are identified through concepts of proportion, numeric, order, attic base, cantus firmus, consonance. The uniqueness of the method is shown in the assumption of the musical analogy in the relation of the attic base. The principle of the strict conformity of the mathematical, musical and architectural proportions allows to specify the parallels between the Music and Architecture.